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Documentation en Région bruxelloise, aménagement du territoire et patrimoine...
Netherlandish Art and Luxury Goods in Renaissance Spain
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Est composé de
Made in Iberia : A New Look at the Retable of Contador Saldaña in Santa Clara de Tordesillas
Historical Substance and Acquired Meaning of Rogier van der Weyden's Deposition of Christ at the Court of Philip II
Flemish Carved Altarpieces in Spain : Reflections on their Patronage and the Relationship between Flemish and Spanish Artistic Traditions
Jean Mone, Barcelona, and the Origins of the "Netherlandish" Antique Manner
The Duke of Alba's Tapestry Acquisitions in the Low Countries (c. 1555-73)
Gender, Representation and Power : Female Patronage of Netherlandish Art in Renaissance Spain
Made in Iberia : A New Look at the Retable of Contador Saldaña in Santa Clara de Tordesillas
Historical Substance and Acquired Meaning of Rogier van der Weyden's Deposition of Christ at the Court of Philip II
Flemish Carved Altarpieces in Spain : Reflections on their Patronage and the Relationship between Flemish and Spanish Artistic Traditions
Jean Mone, Barcelona, and the Origins of the "Netherlandish" Antique Manner
The Duke of Alba's Tapestry Acquisitions in the Low Countries (c. 1555-73)
Gender, Representation and Power : Female Patronage of Netherlandish Art in Renaissance Spain
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| Code-barres | Cote | Support | Localisation | Section | Note | Disponibilité |
|---|---|---|---|---|---|---|
| 20190305 | M39 - M40.2 | Monographie = Monografie | Bibliothèque = Bibliotheek | Monographies = Monografieën | Disponible |
